CHANGING SCENE THEATRE RECORDS
SCOPE AND CONTENT NOTE
The Changing Scene Collection spans ca.1930-2006. Materials in the collection include: records of the Changing Scene’s business operation, production programs from 1968 to 1999, professional and personal photographs and production posters. Information about the Munt-Brooks Dance Studios in New York and Denver, personal documents and memorabilia, information concerning the professional histories of Al Brooks and Maxine Munt and musical manuscripts of pieces composed by Al Brooks Pew constitute the remainder of the collection.
Date | Production |
---|---|
April 11, 1968 | Easter Oratorio (dance) |
April 25-28, 1968 | Instances (dance) |
May 2-5, 1968 | Glob and Neophonics (dance) |
May 10-11, 1968 | Portrait of Jason (film) |
May 16-19, 1968 | The Cow That Happened (film) |
May 23-26, 1968 | Three Plays by Malcolm Boyd |
June 6-9, 1968 | Mime and Movements/Sounds and Silences (dance) |
June 13-16, 1968 | Mother's Womb with Window, Picnic (film) |
June 21-24, 1968 | Dentproof, Rustproff and for its Weight Stronger than Steel (theater piece) |
July 11-14, 1968 | Lightscapes (multi-media), The Story of a Pearl (mime), The Murder (film) |
July 18-24, 1968 | Mime and Movement/Sounds and Silences II (dance), The Fine Art of Protest (film) |
July 25-28, 1968 | Lightscapes (multi-media), Films by Young Filmmakers |
August 1-4, 1968 | Mime and Movements/Sounds and Silences II (dance), Films from Rhode Island School of Design |
August 8-11, 1968 | The Tracks Home |
August 15-18, 1968 | Traditions of Dissent (theater piece |
August 22-25, 1968 | Poemscapes (multi-media) |
September 8, 1968 | Mime and Movement/Sounds and Silences II |
September 12-15, 1968 | The Life of Juanita Castor Dr. Kheal, Political Sonata Vision (multi-media) |
September 9-22, 1968 | Aubade, Sculpture Mutation (art and dance), More, More, I Want More, Act Without Words I (film), Vorspiel Nach Marienstein, Vietnamese Wedding |
September 26-October 6, 1968 | The Maids, Gift Rap (improvisations) |
October 10-13, 1968 | Six Short Plays by Tom Eagan, Lightscapes (multi-media) |
October 17-20, 1968 | Six Short Plays by Tom Eagan, Three Films by Ludwik Turzanski |
October 24-27, 1968 | John Galm (percussionist), Maxine Munt (dancer) (music and dance) |
November 14-17, 1968 | The Shirt, Times Square |
December 12, 1968-January 19, 1969 | Mickey |
February 1-11, 1969 | A Video Pilgrimage by Computer Image (film) |
February 20-March 2, 1969 | Dr. Chase's Third, Last and Complete Work: Organum |
March 28, 1969 | And Chocolate on Her Chin, Denver (film) |
May 15-25, 1969 | American Hurrah |
May 29-June 1, 1969 | Dr. Faustus , Suspended in Light, Of Us All (film, poetry and music) |
June 5-15, 1969 | Janie (film), Calm Down Mother |
June 19-22, 1969 | Bon Voyage, Miss Tischhauser, The Major and the Mayor, The Craft of Choreography (dance) |
June 22-July 6, 1969 | The 13th Hour of Meshugana |
July 10-20, 1969 | The Juke Box (Chess, I’ll Be Around |
August 2-5, 1969 | Six Performances by the Repertory Dance Theatre (dance) |
August 14-24, 1969 | Bagatelle, Cast Another Image |
August 28-31, 1969 | The Art of the New Filmmakers (film) |
October 9-19, 1969 | Kayak (film), And Chocolate on Her Chin |
October 23-26, 1969 | And Chocolate on Her Chin |
November 6-16, 1969 | Paraguay, films |
December 11-21, 1969 | Lightscapes (multi-media>, Peace Pieces (theater pieces) |
December 26-30, 1969 | Andromache, Lightscapes (multi-media), Arms To and Fro (dance), Sound Effects, Nine, Ten, 10-10-10 (music & dance), Dr. Kheal |
January 15-18, 1970 | Textures (dance), Royalton (music), Tonight I Am…(music) |
January 23-24, 1970 | Textures (dance), Tonight I Am…(music) |
January 29-February 1, 1970 | Stoned…A Night in the Mind Of |
February 5-15, 1970 | Moments and the Bramble, Krapp’s Last Tape |
February 19-20, 1970 | Four Films by R.R. Bruce (film) |
February 26-March 1, 1970 | The Purple Yak (multi-media), Four Films (film) |
March 5-8, 1970 | The Purple Yak (multi-media), Four Films (film), Two Dances (dance) |
April 2-12, 1970 | The Next Thing, Pridencamor (film) |
April 23-May 3, 1970 | Films of Lee Harrison’s Computer Image (film) |
May 7-17, 1970 | It's 10PM. Do You Know Where Your Children Are? |
May 21-24, 1970 | Poetry, Dance, Drama (Reality: An Absurdist Entertainment) |
May 28-31, 1970 | Film, Dance, Drama, Candy Caine (film), Go-rilla Theater |
June 4-14, 1970 | Plastic Symbiosis (dance), Photographic Composition (music and photography) |
June 18-28, 1970 | 5 X 5 Equals 270, or Most But Not All Transformations Are Evolutionary (multi-media), Routs (dance) |
July 9-19, 1970 | Mime and Movement/Sounds and Silences I |
July 23-August 2, 1970 | Colorado Images (film), Random Versus (poetry) |
August 6-16, 1970 | Stoned-A Night in the Mind of |
August 20-30, 1970 | The Wax Museum |
September 24-October 4, 1970 | The Innocent Party, The Undertaker |
October 28-November 1, 1970 | Love in the Space Age, The Prophet |
November 5-8, 1970 | Resident Dance Company of Stephens College (dance) |
November 12-22, 1970 | The Hole in the Sky (dance), Gosh, It’s So Beautiful, It Almost Looks Plastic |
December 10-20, 1970 | Onstage Stories, Dick Spindler’s Family Christmas, A Child’s Christmas in Wales, The Moving Lines(poetry) |
January 28-February 7, 1971 | Saturday Night at Adam & Eve’s (multi-media), The Reader |
February 11-21, 1971 | With or Without Shoes (dance) |
February 25-March 7, 1971 | Four One-Act Plays: Who Can Tell, Footlocker, The Park, Socrates Is |
March 19-29, 1971 | Exile, This is Our Living Room, Crawling Around |
March 25-April 4, 1971 | Me: An Event (multi-media) |
April 8-18, 1971 | Off-Off-Champa(multi-media) |
April 22-May 2, 1971 | Two Evenings with Maxine (dance) |
May 6-16, 1971 | Pot Luck |
May 20-30, 1971 | Routes (dance) |
June 3-13, 1971 | The Poet, The Filmmaker, and The Folksinger (poetry, film, music) |
July 15-25, 1971 | The Naked Butterfly (multi-media) |
July 29-August 1, 1971 | The Naked Butterfly (multi-media) |
August 5-15,1971 | Petya, Prince of Pennsylvania |
August 19-29, 1971 | Eat Cake, Peas |
September 16-26, 1971 | Jesus Play, The Moving Lines (poetry) |
September 28-October 24, 1971 | Jesus Play, The Moving Lines (poetry) |
October 28-November 6, 1971 | The Boarding House |
November 11-14, 1971 | Quartet-The Horizontal and Vertical Plane (music) |
November 23, 1971 | Nine Sentiments (dance) |
November 18-December 5, 1971 | The Three C’s of Modern Dance (dance) |
January 13-23, 1972 | Split Level, Moon |
January 27-February 6, 1972 | Alternatives (dance) |
February 10-20, 1972 | Film and Light Art (film, art) |
March 2-12, 1972 | A Quick Nut Bread to Make Your Mouth Water |
March 23-April 1, 1972 | Festival of One-Act Plays I: Drivel, Incidents |
April 13-23, 1972 | Festival of One-Act Plays II: The Seeing Eye Dog with an Eye for Women, Bag |
April 27-May 7, 1972 | Off Again On (dance) |
May 11-21, 1972 | Festival of One-Act Plays III: Unidentified Flying Angel, The Working Bee, New Poetry |
June 1-11, 1972 | Flashlight Music II, The Great Speckled Bird, The Henchmen of the Third Planet (films) |
June 15-25, 1972 | The Moving Lines (third edition) (poetry), The Long Silver Stream (multi-media) |
June 29-July 9, 1972 | There’s Nothing More Obscene Than Plastic Lillies |
July 13-23, 1972 | Festival of One-Act Plays IV: The Supreme Equal, The Imperial Hero Explains |
July 27-August 6, 1972 | Film, Poetry, and Drama: The Billiard Ball and Pi Lead Different Kinds of Lives |
August 17-27, 1972 | High Street (improvisational theatre group) |
September 21-31, 1972 | Was There Ever a Harry Potts?, Whale: A Play |
October 14, 1972 | Poetry Reading by Diane Di Prima |
October 26-November 4, 1972 | My Sister, My Spouse |
November 10, 1972 | New Films by Stan Brakhage |
November 16-26, 1972 | The Cenci |
November 30-December 10, 1972 | Mime and Movement/Sounds and Silences I (dance) |
December 14-24, 1972 | Jacobs Ladder |
January 11-14, 1973 | No Dogs (poetry) |
January 18-28, 1973 | Come In (theater piece) |
February 1-11, 1973 | Video Pilgrimage (films) |
February 10-11, 1973 | Dancers from Colorado State University (dance) |
February 15-25, 1973 | Patterns – A Program of Dance |
March 3, 1973 | The Colorado College New Music Ensemble (music) |
March 15-25, 1973 | New Orleans Orchid |
March 29-April 1. 1973 | Shout, Cry and Swing (Cleo Parker Robinson - dance) |
April 5-15, 1973 | Wisping the Wind |
April 21, 1973 | Stuart Z. Perkoff (poet) |
April 26-May 6, 1973 | Painted Unicorn Dances (dance) |
May 10-13, 1973 | Theatre Dance Collection (dance) |
May 17-27, 1973 | A Sky of Faces (Monkey Island) |
May 31-June 10, 1973 | Exit (film) |
June 4-14, 1973 | Between Drowned Thoughts (dance) |
July 12-24, 1973 | Three One-Act Plays: The Reward, La La!, The Thursday Night Self-Improvement Class |
July 26-August 5, 1973 | The Metaphysical Rainstorm Blues |
August 9-26, 1973 | Three Prize-winning One-Acts: A Weed Garden, The Chekhov List, Greater Love |
August 30-September 9, 1973 | Mirrored Reflections |
September 27-October 7, 1973 | Double Solitaire |
October 18-28, 1973 | A Little Less Than Plato, The Shark and the Man Who Satisfied It |
November 15-25, 1973 | For You Maybe |
December 6-16, 1973 | Take Back Thursday, Apart and Together (dance) |
February 7-17, 1974 | Ask Doyle, Slingsong |
February 21-March 3, 1974 | For One Fraction of a Moment (dance) |
March 7-17, 1974 | A Sampling of Denver Dances (dance) |
March 21-31, 1974 | Marvin’s Mourning Meadows |
April 4-14, 1974 | Harpies’ Bizarre (music, poetry, drama) |
April 7, 1974 | The Troublesome Fables of Achmed Flee, Pirhouettes, From the Pipe of Baba Shalom (stories) |
April 18-28, 1974 | Gizelles and Squirrels Undercoves (dance) |
May 5, 1974 | Robert Bly (poet) |
May 9-19, 1974 | In the Aviary of My Heart |
May 19, 1974 | Edgewater Chamber Players (music) |
May 23-June 2, 1974 | The United Mime Workers (mime) |
June 6-16, 1974 | A Wedding Party |
June 20-30, 1974 | And Yellow Voices Crying "Love Me, Love Me" |
July 11-21, 1974 | A Festival of Colorado Poets (poetry) |
July 24, 1974 | Diane Di Prima (poetress) |
July 25-August 4, 1974 | New Dance and Music (dance) |
August 8-18, 1974 | An End to Waiting |
August 28, 1974 | Yoga and You (dance) |
August 29-September 8, 1974 | Wandering |
September 12-15, 1974 | New Dance and Music (dance) |
September 21-22, 1974 | Two Dance Concerts (dance) |
October 10-20, 1974 | Colorado Film Festival(film) |
October 24-November 3, 1974 | Nasrudin Puppet Theatre (puppetry) |
November 7-17, 1974 | The Thrilling Life of a Circus Performer Will One Day Be Yours, Kathia |
November 21-24, 1974 | The Thrilling Life of a Circus Performer Will One Day Be Yours |
November 29-December 8, 1974 | Munt-Brooks Dancers (dance) |
December 12-15, 1974 | Hurrah! It’s Lewis Carroll Day |
January 9-12, 1975 | New Dances by the Munt-Brooks Dancers (dance) |
January 23-February 2, 1975 | Simply Silence (mime) |
February 6-16, 1975 | The Unfortunate Friends of Cedric Treefrog |
February 27-March 2, 1975 | Eden Theatrical Workshop – A Dunbar Celebration (poetry) |
March 1, 1975 | Stan Brakhage Films (a benefit for the Changing Scene) |
March 6-16, 1975 | Once and for All, Music for Chumhorn and Sackbutt |
April 3-6, 1975 | Almost All Experimental (film festival) |
April 10-20, 1975 | Together and Apart (dance) |
May 29-June 15, 1975 | Hagar’s Children |
June 19, 1975 | The Colorado Modern Music Ensemble and the Munt-Brooks Dancers (music and dance) |
June 23-July 20, 1975 | Together and Apart (dance) |
July 24-27, 1975 | Sand Dwarfs |
August 7-10, 1975 | The Troublesome Fables of Achmed Flee (stories) |
August 14-17, 1975 | Divine Comedies (stories) |
September 5-6, 1975 | Dances by Barry Lynn & Arthur Leigh (dance) |
October 9-19, 1975 | Three One-Act Comedies: Dummies, F-Yoo-Hoo, Dragons in the Wall |
October 23-November 2, 1975 | Fall Film Program (films) |
November 20-December 13, 1975 | Cracks |
January 15-February 15, 1976 | Alfred Packer: A Colorado Ritual |
February 19-29, 1976 | Movement Pieces by Maxine Munt (dance) |
March 4-7, 1976 | Looking Glass Comedy Theatre |
March 11-13, 1976 | The Invisible Theatre: Noises, Echoes |
March 21, 1976 | Alvin Lucier Electronic Music Concert (music) |
March 25-April 11, 1976 | Coupling (multi-media) |
March 31, 1976 | Carl Rakosi (poet) |
April 22-May 9, 1976 | Freebies |
May 20-30, 1976 | Webs (multi-media) |
June 17-20, 1976 | Don Lopez and Lynne Taylor – Theatre Dance Collection (dance) |
July 8-18, 1976 | Music for Crumhorn; Sackbutt, George and Franz: Taking Sides in the Boer War |
July 22-25, 1976 | Variety Night (music, dance, comedy) |
July 29-August 8, 1976 | Images (music) |
August 12-22, 1976 | Requiem…1/1 |
August 26-29, 1976 | The Longest Way Home |
September 10-12, 1976 | Barry Lynn in Solo Concert (dance) |
September 23-26, 1976 | Half-Way-Point (dance) |
September 30-October 2, 1976 | Concert (music) |
October 28-November 7, 1976 | Cowgirl Ecstasy |
November 11-14, 1976 | Cowgirl Ecstasy |
November 25-December 5, 1976 | Five New Dances (dance) |
December 9-12, 1976 | Four Out of Five (dance) |
December 25-26, 1976 | Masks, Mime, and Miracles (mime) |
January 6-9, 1977 | The Legend of Flying Horse |
January 20-February 20, 1977 | The Quannapowitt Quartet |
February 7, 1977 | Robert Yohn in Solo Concert (dance) |
March 3-6, 1977 | A Solo Concert by Arawana Hayashi (dance) |
March 11-13, 1977 | New Films by Bruce Westbrook (films) |
March 17-April 3, 1977 | The Gift of a Doll |
April 7-24, 1977 | The Begonia and the Bygones |
May 5-15, 1977 | New Dances (dance) |
May 19-22, 1977 | Magic and Music C.J. (music) |
May 26-June 5, 1977 | Hey, Rube |
June 9-12, 1977 | Lynda Knapp and Dancers (dance) |
July 7-10, 1977 | Fifth of Dance (dance) |
July 21-31, 1977 | Stitches(sketches |
August 4-7, 1977 | Kite Tail Mime (mime) |
September 16-18, 1977 | The Lynn Dance Company (dance) |
September 24, 1977 | Arts for Arts Sake (dance) |
September 29, 1977 | Mencken |
October 21-23, 1977 | The Troublesome Fables of Achmed Flee (stories) |
October 23, 1977 | Day Upon Day |
October 21-30, 1977 | The New Dance – Barbara Gardner (dance) |
October 28-30, 1977 | The Troublesome Fables of Achmed Flee (stories) |
November 17-18, 1977 | Peggy Cicierska and Kim Arrow (dance) |
November 19-20, 1977 | Peggy Cicierska and Kim Arrow (dance) |
December 1-11, 1977 | The Munt-Brooks Dancers (dance) |
December 16-17, 1977 | Films by Stan Brakhage (films) |
January 19-22, 1978 | Valerie Hammer Birds Dance (dance) |
February 16-19, 1978 | Prize-winning Films (films) |
February 24-25, 1978 | John Galm with Alice Leincheck (music) |
March 3-4, 1978 | Three Colorado Filmmakers at the Changing Scene (films) |
March 16-April 2, 1978 | Custer |
May 4-7, 1978 | Rush Dance Company (dance) |
May 12-13, 1978 | Peggy Cicierska and Kim Arrow Dance Concert (dance) |
May 18-21, 1978 | Batteries Not Included |
May 26-28, 1978 | Performance Pieces - Short Plays for a Man on the Moon, The Teaching of John Brown in Florida) |
June 1-11, 1978 | Three Choreographers (dance) |
June 15-25, 1978 | Two One-Act Plays - Repast, Apparent Discrepancies |
July 21, 1978 | Sally Bowden Dance Concert (dance) |
July 27-August 6, 1978 | The Repertory Theatre/Dance Company (dance) |
August 10-20, 1978 | The Mantis Flies Alone (dance) |
August 24, 1978 | The First Interplanetary Voyage of J. Alfred Carnelian |
September 14-17, 1978 | Crazed Porcelain, Harsh Mistress (music, poetry, art) |
November 3-5, 1978 | Echo Series (dance) |
November 9-19, 1978 | Kite Tail Mime (mime) |
November 29-December 3, 1978 | L’Ecole des Veuves, Le Petit Prince |
December 7-17, 1978 | Two Small Bodies |
Materials in this series include: correspondence, financial records, information on history and philosophy, legal documents, professional literature, and other information pertinent to the history, operation and closing of the theatre.
The series documents each of the theatre's productions with items such as programs, press releases, reviews, newspaper clippings, scripts, cast, and audition information. The titles of productions appear exactly as they do on the show programs, including any creative spellings by the playwrights.
This series comprises information on the dance studio, which frequently functioned in conjunction with the theatre. Materials include: financial records, class information, news clippings and legal documents.
Items include programs, newspaper clippings and correspondence relating to the Munt-Brooks Dance Company and Studio, located in New York. Al Brooks and Maxine Munt managed the Dance Company before they founded the Changing Scene Theatre.
This series reflects the professional growth of Al Brooks and Maxine Munt, preceding their establishment of the Changing Scene Theatre in Denver, Colorado. It includes general background materials on dance and theater as well as specific information on their careers with Adelphia College, the University of Nebraska, and the University of Colorado.
Materials include: musical scores of pieces composed, arranged or orchestrated by Al Brooks. Some musical notation reflects class work done at Juilliard School of Music for choreography or production notes.
The series includes: correspondence, educational, military and legal documents, personal travel logs, journals and memorabilia.
The oversize items comprise show posters from the theatre's major productions and manuscripts of music composed, arranged or orchestrated by Al Brooks. It also includes Al Brooks' diploma from the Juilliard School of Music. A scrapbook from the 25th Anniversary (1993) of the Changing Scene, as well as a commemorative publication from the theatre's closing in 1999 with additional materials: awards received by Al Brooks and Maxine Munt, photo album/scrapbook of the couple's marriage in Paris, France and honeymoon tour of Europe (1950) complete the series.
Series contains a selection of silent 16mm, 8mm, and Super8mm motion pictures used by Changing Scene Theatre during their performances. Some of the films were shot and edited by David Bennett.
The photographs in this series document the personal and professional lives of Al Brooks and Maxine Munt. Included are pictures of dance and mutli-media performances of the Changing Scene Theatre in Denver, Colorado and the Munt-Brooks Dance Company, Colorado; portraits; snapshots of the Brooks' and Munt's loft in the Changing Scene Theatre building.
Dates
- TBD
ACCESS:
The collection is open for research.
OWNERSHIP:
Literary rights and copyrights are assigned to the Denver Public Library.
PUBLICATION RIGHTS:
All requests for permission to publish, reproduce, or quote from material in the collection should be discussed with the appropriate librarian or archivist. Permission for publication may be given on behalf of the Denver Public Library as the owner of the physical item. It is not intended to include or imply permission of the copyright holder, which also must be obtained by the customer. The Library does not assume any responsibility for infringement of copyright or publication rights of the manuscript held by the writer, heirs, donors, or executors. Reproduction restrictions are decided on a case-by-case basis.
HISTORICAL NOTE
Alfred Brooks Pew (Al Brooks) and Maxine Munt Brooks (Maxine Munt) established the Changing Scene Theatre in April 1968. Located in downtown Denver at 1527 ½ Champa Street, the theatre was the site of over 475 programs, including plays, films, dance performances, and multimedia presentations. As a non-profit organization, the Changing Scene Theatre provided a stage for locally and nationally-created original works and a place where talented artists could develop their creative abilities. A goal of its co-founders was to provide affordable cultural and artistic offerings, thereby increasing the size of the arts audience in Denver.
In thirty years of operation, more than 350 plays premiered at the Changing Scene Theatre, several of which had subsequent productions in New York, London and Europe. Various alumni from the Changing Scene Theatre went on to found their own theatres. These include: Ed Baierlein at Germinal Stage, Dan Hiester at Citystage, Mary Guzzy at Industrial Arts, Cleo Parker Robinson, Joe Bunton Keel at Eulipiones and Anthony Garcia at Su Teatro. Many artists, who had their debut in a production at the Changing Scene, successfully pursued careers in the arts.
Over the course of its productive lifetime, the Changing Scene Theatre proved instrumental in the development of a citywide theatrical endeavor entitled Summerplay. In collaboration with local playwrights, directors, actors, set designers and technical staff from other Denver theatres, the Changing Scene offered a total of fourteen Summerplay seasons to Denver audiences.
Al Brooks and Maxine Munt received awards, commendations, and grants on behalf of the Changing Scene and its accomplishments throughout the years. The awards include: the Governor’s Award, the Mayor’s Award, the Larry Tajiri Award, and the Downtown Denver Award. Maxine Munt died in Denver, Colorado on February 22, 2000. The Changing Scene Theatre ceased operations sometime before her death. Al Brooks died in Denver, Colorado on December 15, 2005.
Extent
16 Boxes
3 Boxes
5 folios
10 folders
1 box
2 photo boxes
1 Photo OVFolios
Language of Materials
English
Other Finding Aids
PROVENANCE:
On February 9, 2000, Alfred Brooks Pew donated the Changing Scene Collection to the Western History and Genealogy Department of the Denver Public Library. Janet C. Neville, Ph.D., donated the funds that made the processing of this collection possible. Additional items were added to the collection from the Estate of Al Brooks by Glenn Giffin on October 1, 2008 and March 23, 2009; Nathalie Proulx on November 10, 2015.
SIZE:
Number of Boxes: 16 (16 linear ft.)
Oversize: 3 boxes (2 linear ft.)
Oversize: 5 folios
Oversize: 10 folders
Audio-Visual: 1 box
Number of PhotoBoxes: 2 (2.5 linear ft.)
Number of Photo OVFolios: 1
LOCATION:
WH1483
PROCESSED BY:
Gerry Adler
Jonathan Held
December 2000
REVISED AND ENCODED BY:
Merrie Jo Schroeder
November 2004
Martin Leuthauser
January 2010
PROJECT MANAGER:
Ellen Zazzarino
- Brooks, Maxine Munt, -- 1912-2000. -- Archives
- Business records. Subject Source: Art & Architecture Thesaurus
- Changing Scene Theatre -- Archives.
- Dance schools -- Colorado -- Denver. Subject Source: Library of Congress Subject Headings
- Dance schools -- New York (State) -- New York. Subject Source: Library of Congress Subject Headings
- Motion pictures (visual works). Subject Source: Art & Architecture Thesaurus
- Multimedia (Art) -- Colorado -- Denver. Subject Source: Library of Congress Subject Headings
- Munt-Brooks Dance Studios -- Archives.
- Performance art -- Colorado -- Denver. Subject Source: Library of Congress Subject Headings
- Personal papers. Subject Source: Art & Architecture Thesaurus
- Pew, Alfred Brooks, -- 1916-2005. -- Archives.
- Photographs. Subject Source: Art & Architecture Thesaurus
- Posters. Subject Source: Art & Architecture Thesaurus
- Scores. Subject Source: Art & Architecture Thesaurus
- Theater management -- Colorado -- Denver. Subject Source: Library of Congress Subject Headings
- Theaters -- Colorado -- Denver. Subject Source: Library of Congress Subject Headings
- Title
- CHANGING SCENE THEATRE RECORDS
- Date
- REVISED 2010
- Language of description
- Undetermined
- Script of description
- Code for undetermined script
Repository Details
Part of the Denver Public Library, Western History and Genealogy Repository